Tag: Fife

painting of the old pack horse bridge

The Barrel Brig, Queen Mary’s Road, Fife

A few months ago I entered the NYAS open postcard competition, to paint a local landmark on a postcard. I didn’t win, but it was an interesting challenge. I primed the card with shellac, so that the oil paint wouldn’t seep through.

On the back of the postcard, I wrote the following info about this ancient pack horse bridge:

“The Barrel Brig, Queen Mary’s Road, Fife”
Oil on shellac and acrylic primed card.

The Barrel Brig, south of the old mining village of Coaltown of Balgonie, Fife, is a narrow 18th century barrel-vaulted pack-horse bridge, built to replace a medieval bridge. Spanning the river Ore with two arches, cutwater buttresses and no parapets, this route was in use when Mary Queen of Scots rode from Wemyss Castle to Falkland Palace in the mid 1500s. An ancient right of way, it has recently been the subject of a local protest against Network Rail’s proposed closure of pedestrian access to the Barrel Brig due to the re-opening of a rail link to the coastal town of Leven. (Latitude: 56.1726 / 56°10’21″N Longitude: -3.1166 / 3°6’59″W)

You can now buy an A4 print off the NYAS website for £18! (I’ll get a small percentage if you do!)

Here’s the link: https://www.nyartschool.org/product-page/the-barrel-brig-queen-mary-s-road-by-jo-johnson-a4-print

painting of the old pack horse bridge

On and off the Easel

This is what I’ve been working on over the last couple of months.

Farm road near Coaltown of Balgonie. 9″ x 12″, oil on Daler Rowney stretched canvas.

This is a very familiar local scene. I walk along here at least once a week. Painted from a photo I took in the summer when the oilseed rape crop was at the height of its stunning yellow colour.


Pittenweem Harbour, Fife. 9″ x 12″, oil on Daler Rowney stretched canvas.

Norma likes to buy bread from the local bakery shop here. We usually have a walk around the harbour when we visit.


Romantic Venice. 6″ x 10″. Oil on gesso primed plywood panel.

Brings back memories of the only time we visited Venice a few years ago.



Panoramic view of the Cuillin range, Skye. 9″ x 12″. Oil on stretched Canvas.

I was driving back from the Quiraing in September, when this view met me as I turned a corner. I simply had to stop and take a picture of the scene. Neither photographs nor paintings can do justice to the magnificence of the scenery on Skye.


All my paintings are listed on Etsy. Click HERE to see the latest available paintings.


 

St Monans Churchyard, Fife

I was recently commissioned to paint a view of the Churchyard at St Monans. The client wanted four children included in the painting but otherwise left me to choose the best view, which was much appreciated, as it enabled me to select a view which not only met the client’s specifications but allowed me to choose the view which I think best portrays the unique setting of St Monans church. The church building and churchyard are centre stage but I’ve included enough visual information to show the quaint fishing village, red-tiled houses and harbour in the distance with a wide expanse of sea and sky behind.

16″ X 12″, on Saunders Waterford paper.

Painting of Rathillet Cottages

Cottages at Rathillet, Fife

Fresh off the easel today is this wee painting of the hamlet of Rathillet, just beside the A92 in Fife. I really enjoyed working on this and even managed to remember to shoot some video of the event!

I travelled this road nearly every day for 16 years and always promised myself I would come and paint this scene one day. I think it’s the juxtaposition of the row of pan-tiled, red roofed cottages with the stately tree beside the road and the gorse covered hill in the background that excited my artistic senses. The gorse is a spectacular golden orangey colour at this time of year, which contrasts beautifully with the blue sky. Just wish I was more accomplished…but I’m working on that!

Rathillet was the home of Covenanter David Hackston who was hung drawn and quartered at Edinburgh in 1680 for his part in the Covenanting struggle to win religious freedom in Scotland. The story of the Scottish Covenanters needs to be understood against the backdrop of Reformation history, during a time of great religious and civil upheaval throughout Britain and Europe. A minority of the Covenanters, including Hackston, took up arms in response to the brutal oppression of Charles the second who wanted to reintroduce the idea that the King had a “Divine right” to rule both church and state. The Covenanters believed that God, not the king, had the sole authority in the church and that the Bible, the Word of God was the sole authority in spiritual and religious matters.

In 1662 over 300 Protestant ministers were evicted from their parishes and many of their congregations followed them into the fields where they preached at “Conventicles” in the open air, all over Scotland. In 1663 the government attempted to restrict people’s freedom to attend these conventicles and so the persecution of those who opposed the state on grounds of conscience began.

Hackston’s brutal execution is recorded in all its savagery in the old legal records. Scottish poet Henry Inglis wrote of the shocking event:

They hewed Rathillet limb from limb, and as each fragment fell 

Shorn from the bruised and quivering trunk, these ministers of hell 

Howled round about him like a pack of fiendish hounds at bay, 

Upon the watch to whet their fangs in some incarnate prey : 

One agony of death they deemed too great a boon to give; 

And twice from off the cursed tree 

With all a tiger’s clemency 

They set the writhing carcass free 

And brought it back to live.

They were Christians and they cut the heart from out the living man, 

And waved it as a flag is waved upon the battle’s van ; 

And burned it as a beast is burned some idol to appease, 

And cast the human ashes round like incense on the breeze : 

And they did it in the name of God ! Where were His lightnings then, 

That came not with consuming fire 

To light the everlasting pyre 

For these blaspheming men ? 

Look round on Scotland’s ruined fanes on shattered arch and wall, 

On roofless aisle and broken font on column, tomb, and stall 

Laid waste within the sunniest spots of this our happy land 

As waste as lieth Nineveh upon the desert strand, 

The lightning of a nation’s wrath has smote them with decay : 

The Faith their reeking altars fed 

With life-blood of -the saints, is fled; 

In Heaven the martyrs have their bed 

The Covenant lives for Aye.

Today, religious freedom is under renewed assault and true disciples of Christ must once again be prepared to suffer and even lay down their lives for the noble cause of religious tolerance, freedom of conscience and the right to worship and serve God according to one’s convictions.